![]() ![]() Especially not in the sandy, dirty Mexican underground. The grass isn't always greener on the other side, I suppose you could say. The twist in the story couldn't be more out of the blue if it were a random outbreak of zombies in the works of Shakespeare (though they do fit in 'Pride & Prejudice'), as the film makes a sharp turn and a massive detour. There's the element of black comedy in the way that all five of the major characters interact, on their micro-road trip to lands below the border.Īnd then there's vampires, strippers, and a battle between survivalists and the demonic forces seeking to feed on their bodies and steal their cargo. ![]() ![]() We have the police efforts to stop them, and the family (Harvey Keitel, Juliette Lewis, Ernest Liu) who accidentally cross paths with the Gecko brothers and prove to be the catalyst they needed to make their way across the border away from the US Agents hunting them down after their murder spree and bank robbery. We have the story of the men on the lam, who could not be any more different if they were from different parents. The story of a pair of brothers (Clooney and Tarantino as Jacob and Richard Gecko) on the wrong side of the law, seeking asylum in El Rey, Mexico, 'From Dusk Till Dawn' may very well be one of the best constructed genre defying flicks ever. The film, which starts out as a fugitives on the run story that quickly turns into a supernatural splatterhouse, acts as a meshing of the styles of the two fan favorite helmers, and the result is a memorable, if uneven little actioner that has a great sense of humor, plenty of guts and gore, and some great, memorable characters, featuring the breakthrough performance of Hollywood staple George Clooney. The Robert Rodriguez flick, based on his outline of the story, was adapted for the screen by the recent Academy Award winner, and features a number of his trademark shots. I think you already know whether you'll like this flick or not.I have a hard time believing that 'From Dusk Till Dawn' didn't have any sequences with Quentin Tarantino behind the camera calling the shots. Much cheaper, much cheesier, muchos muchos muchos. Oh, and don't expect anything like the first one, it's a totally different kettle of fish. ![]() If you like trashy B-movies, you'll like this. Fair enough, but sometimes people take movies too seriously. Alot of people are going to disagree though - the people i was watching this with, for example, all thought it sucked. Not as much fun as the Intruder (which is well worth getting if you're a Deadite fan, oh yeah) but still a good laugh a using loads of Spiegel's trade mark POV shots. Oh yeah - the film - well, it's good in a Scott Speigel kind of way. And, let's face it, that's how come Bruce Campbell's in this movie - they go way back. That's the kind of guy Scott Speigel is and I like him. Next day when Bruce arrived at the office he was stunned to find hundreds of girls lined up waiting to show Scott their boobs for the chance to get on the screen topless for maybe 2 or 3 seconds. Apparently it was all Scott's idea he steamrollered the idea past them when they weren't paying attention. I watched Army of Darkness the other day, the bootleg edition, with the commentary on and was belly laughing when two topless slave girls wander on to the screen and Bruce recounts the story of how they got into the movie. If you've read the 'Evil Dead companion' or 'If Chins could kill' you'll know what kind of guy Scott Speigel is. ![]()
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